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Intro's Julian Gibbs discusses The Hole Hog, Intro's film about The Impossible. Something they always strive for in their executions of briefs.

"That was the Blue Velvet town that they're in or any of those Edward Scissorhands or whatever, that psychedelic version of suburbia. This is another Getty Images find. We thought 'Right, what can we do?' and we saw this beautiful supermarket shot from the '60s.

"There's a paperboy making his rounds in the morning who's in a perfect white outfit and he's cycling down a perfect white suburban street chucking the newspapers on the different lawns and as he drifts by one of the houses is on fire.

"There's a chunk taken out of it and it's burning and that's one of the initial clues that something airborne has passed through this neighborhood. So we were trying to use the psychological aspects of the way we see things as well as the very explicit visual explanations of what's going on. And suburbia has that.

"There's some element of disquiet to it, I think. They are mildly curious but their resolve is that of middle England or middle Australia. Their gardens are always perfect and so are they, but at this point the pig has visited them and punctured their farm silos and ripped through their supermarket and ended up scudding to a halt in their street."

 
 
The Glue Society's film Creation examines creativity through a wry look at human relationships. Glue's Jonathan Kneebone talks about being in control of the creative process and how you need to contrive 'happy accidents'.

"There is a massive idea at work there. It might not be an advertising idea, but it's certainly a big one. It's a good position to be in, to actually have control of an idea from the very start, all the way through to making it to the end. It's born out of a bit of a frustration we had when we were in an agency environment, you don't get to be that creative sometimes.

"You really start thinking about how limited you normally are, certainly in advertising, with what ideas actually are. We did a shoot of Tony Kaye once. He said, 'I've been waiting for a mistake like that to happen all day', and it was a really annoying but brilliant thing to say actually, because you do have to create happy accidents. They don't just happen by accident. You have to have the environment and the right people."

 
 
   
 
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